How do they justify this decision, FIrst and foremost, to themselves?

How do they justify this decision, FIrst and foremost, to themselves?

How do they justify this decision, FIrst and foremost, to themselves?

Why do they believe in the Russian ballet school so deeply and refuse to conform to public opinion?

Why do they believe in the Russian ballet school so deeply and refuse to conform to public opinion?

Why do they believe in the Russian ballet school so deeply and refuse to conform to public opinion?

And if they were ultimately forced to leave, how would their lives unfold after experiencing Russian ‘tough love’?

And if they were ultimately forced to leave, how would their lives unfold after experiencing Russian ‘tough love’?

And if they were ultimately forced to leave, how would their lives unfold after experiencing Russian ‘tough love’?

Is there such a life afterward?

Is there such a life afterward?

Is there such a life afterward?

"Art should be a heritage of the whole world, not defined by one’s nationality."

Other protagonists will share their views on this statement as well, including Russian ballerinas who have performed for many years in leading European theaters, and world-renowned choreographers Alexei Miroshnichenko and Boris Eifman.

Alexei Miroshnichenko

One of Russia’s leading choreographers, head of the ballet company at the Perm Opera and Ballet Theatre, Honored Artist of Russia, and a guest choreographer for the New York City Ballet in New York.

Boris Eifman

World-renowned choreographer, Artistic Director and President of the Boris Eifman Ballet Theatre, People's Artist of Russia, Full Cavalier of the Order "For Merit to the Fatherland," and Officer of the Order of Arts and Letters (France).

AUTHOR'S VISION

AUTHOR'S VISION

AUTHOR'S VISION

For the filmmakers—Natasha Fefelova and Galya Goldfeld—this is not their first documentary made together.

This creative duo has long developed their own style. Their films have no voice-over, giving the audience the freedom to decide how to feel about the characters or story and to draw their own conclusions without guidance. At the same time, their films don’t fit the classic observational documentary genre. The filmmakers are part of the process, and at times, the audience may hear their voices behind the camera.

Galya Goldfeld

Author

Natasha Fefelova

Director

In-depth interviews (conducted in two languages in this film) are combined with live performances, and the handheld camera sometimes works so closely with the dancers that we can literally smell the sweat during ballet rehearsals. The dancers' breathing also becomes an important leitmotif.

In this film, fatigue, helplessness, and pain are shown without words, conveyed solely through visuals. Moreover, the visual metaphors are created from documentary, unstaged footage.

INTERESTING FACTS ABOUT THE FILMING

INTERESTING FACTS ABOUT THE FILMING

INTERESTING FACTS ABOUT THE FILMING

There are no perfect conditions in documentary filmmaking!

You either adapt and make the most of what you have, or you create your own luck. Fate favors the bold and, in a good way, the audacious.

In major ballet theaters, the filming process is always limited: the crew is allowed to stand in only one spot backstage, not move around, and sometimes must coordinate each camera take on the spot with internal services.

We understand that everyone has their own job. That’s why we admire our cinematographers so much. They are insanely talented people with a touch of fanaticism—they know how to capture emotions and notice details, even in conditions that aren’t very conducive to creativity.

There are no staged artistic scenes in the film

However, there were moments when the perfect shot was created by chance: a beam of light falls in the right place, the character’s movement is perfectly aligned with the camera, or the hall lights turn on precisely at the final pose.

The most amazing moment was recording the interview with the protagonist from Norway

It was the only conversation conducted via video call. When Elizabeth connected, it turned out that our studio had exactly the same painting behind her as in her home—right behind her back!

The film crew followed some of the protagonists for two years

For example, during this time, Hollin Henderson managed to graduate from the Bolshoi Ballet Academy and move to Perm.

Delicate cinematography is required

Unlike classic documentary filmmaking, ballet demands a different directorial approach. Smooth camera movements convey the delicacy of ballet elements, while a handheld camera creates a sense of presence, tension, and nerve in backstage scenes. It’s delicate cinematography: capturing the performance without disrupting the dance’s structure, while highlighting movement nuances, muscle tension, facial expressions, sweat, and even breathing.

Политика конфиденциальности

18 Malaya Pirogovskaya St., Building 1, Office 100

Moscow, Russia, 119435

ООО «ФРИМОУШН ГРУПП»

ул. Малая Пироговская, дом 18, строение 1, офис 100

Москва, Россия, 119435

© 2025 Freemotion Group, LLC

CONTACTS

ABOUT

"I Just Keep Dancing" tells the stories of young people from different countries who have chosen to dedicate their lives to Russian ballet, no matter what.

The world around them is falling apart for various reasons—the pandemic, political conflicts, and even their age, which plays a crucial role in ballet—yet they continue to live in Russia, study

in Russia, and just keep dancing.

PROTAGONISTS

Our protagonists come from the USA, Canada, France, Brazil, and Japan. Leaving behind their

friends and family, they chose to pursue careers as ballet dancers in different cities across Russia.

"We want to make films that won’t leave the audience indifferent—films that make you surprised, smile, empathize, reflect, and even get angry. Films about people just like us: they’re afraid, they doubt, they’re sad, they love, and they hate. Maybe, by peeking into their lives, it’ll become a little easier for us."

"We want to make films that won’t leave the audience indifferent—films that make you surprised, smile, empathize, reflect, and even get angry. Films about people just like us: they’re afraid, they doubt, they’re sad, they love, and they hate. Maybe, by peeking into their lives, it’ll become a little easier for us."

PREMIERE

March 20

October Cinema

Age restriction: 6+

CONTACTS

18 Malaya Pirogovskaya St., Building 1, Office 100

18 Malaya Pirogovskaya St., Building 1, Office 100

Moscow, Russia, 119435

Moscow, Russia, 119435

© 2025 Freemotion Group, LLC

TEAM

Natasha Fefelova

Natasha Fefelova

Director

Director

Galya Goldfeld

Galya Goldfeld

Author

Author

Alexei Turoverov

Alexei Turoverov

Executive Producer

Executive Producer

Nikita Getto

Nikita Getto

Cinematographer

Cinematographer

Sergey Chuev

Sergey Chuev

Cinematographer

Cinematographer

Dmitry Minenkov

Dmitry Minenkov

Cinematographer

Cinematographer

Evgeny Margulis

Evgeny Margulis

Associate Producer

Associate Producer

Danila Sokolov

Danila Sokolov

Line Producer

Line Producer

Olga Stekhina

Olga Stekhina

Line Producer

Line Producer

Ivan Anokhin

Ivan Anokhin

Sound Engineer

Sound Engineer

Arkady Nikitin

Arkady Nikitin

Sound Engineer

Sound Engineer

Stanislav Shklyaruk

Stanislav Shklyaruk

Camera Mechanic
and Gaffer

Camera Mechanic
and Gaffer

Timur Weinstein

Timur Weinstein

General Producer

General Producer

Vyacheslav Goldfeld

Vyacheslav Goldfeld

General Producer

General Producer

Alina Kotova

Alina Kotova

General Producer

General Producer

Andrey Kotov

Andrey Kotov

General Producer

General Producer

PREMIERE

PREMIERE

March 20

October Cinema

Age restriction: 6+

I Just Keep

THE FILM

Dancing

Canada

Japan

Brazil

France

USA

КОМАНДА

Natasha Fefelova

Director

Galya Goldfeld

Author

Alexei Turoverov

Executive Producer

Nikita Getto

Cinematographer

Sergey Chuev

Cinematographer

Dmitry Minenkov

Cinematographer

Evgeny Margulis

Associate Producer

Danila Sokolov

Line Producer

Olga Stekhina

Line Producer

Ivan Anokhin

Line Producer

Arkady Nikitin

Sound Engineer

Stanislav Shklyaruk

Camera Mechanic
and Gaffer

Timur Weinstein

General Producer

Vyacheslav Goldfeld

General Producer

Alina Kotova

General Producer

Andrey Kotov

General Producer

I JUST KEEP

THE FILM

DANCING

Canada

Japan

Brazil

France

USA